PhD, History of Art, University of Pennsylvania, Expected 2018
MA, Modern Art: Curatorial Studies, Columbia University, 2010
BA, Interdisciplinary Studies, UC Berkeley, 2007
Co-Editor. Present Tense Pamphlets. Evanston: Northwestern University and Block Museum of Art, 2016.
“Staging Professionalization: Lecture-Performances and Para-Institutional Pedagogies, From the Postwar to the Present,” Performance Research Journal 21.6, “On Radical Education” (December 2016): 19-25.
Articles, Essays, and Reviews
“Bot Pedagogy.” In Intersubjectivity Vol. 2. Edited by Lou Cantor and Katherine Rochester. Berlin: Sternberg Press. (Forthcoming.)
“Data Maintenance: On Ecologies of Labor,” Ecologies of Data Series, ed. Patricia Kim, Penn Program in Environmental Humanities, University of Pennsylvania, April 16, 2017.
“Michael Robinson: Mad Ladders,” Art in America, March 2016.
“Off the Page: Staging Poetic Language at IN>TIME.” Art in America online, February 29, 2016.
“Kathryn Andrews: Run for President,” Art in America, February 2016.
“Lecture.” With Avi Alpert and Danny Snelson. Shifter Magazine 22: Dictionary of the Possible, 2016.
“Conceptual Writing and the Politics of Publicity.” Jacket2 Magazine, University of Pennsylvania, January 19, 2015.
“Teleconference.” With Avi Alpert, Danny Snelson, and others. Audio essay and interview for the New Museum VOICE Registers Series, in conjunction with the New Museum Research & Development Season on Voice. Contributions from: Charles Bernstein, Jeanne Dreskin, Roksana Filipowska, Becket Flannery, Cassandra Gillig, Mark Johnson, Alexi Kukuljevic, Steve McLaughlin, Joe Milutis, Rit Premnath, Jean-Michel Rabaté, Paul Salveson, and Kaegan Sparks.
“No Results Found.” With Avi Alpert and Danny Snelson. Eternal Flame Journal 30. In conjunction with the exhibition Eternal Flame, organized by Thomas Hirschhorn. Paris: Palais de Tokyo, 2015.
“Our Literal Speed: Doing Things with Words in the Vicinity of Art.” Culturebot, April 30, 2012.
“Thirty Years After the End of Art and Articles: A Conversation with DISBAND,” Culturebot, March 13, 2012.
“Talking to Annie Dorsen,” Culturebot, January 21, 2011.
“Felicity Nussbaum’s ‘Actresses and Patrons: A Jury of Their Peers.’” Feminist News 29 (August 2010): 4-18. Columbia University Institute for Research on Women and Gender.
“Micro-Lecture.” In Selected Essays About a Bibliography. Philadelphia: Edit Publications, 2010.
Dramaturgical Statement. Prelude Festival Catalogue. New York: CUNY Graduate Center, 2010.
Co-editor. 7CV: A Critical Reader to Accompany Tan Lin’s Seven Controlled Vocabularies. Co-edited with Danny Snelson. Philadelphia: Edit Publications, 2010.
Editor. Semiospectacle Catalogue. Columbia University, 2010.
Beauty Secrets of Margarita Morozova. Introduction by Guy Maddin, ed. Roxanne Carter. Providence: Persephassa Small Press, 2005.
SELECTED PAPERS, PRESENTATIONS, & DISCUSSIONS
“Performing Invisibility in Public: Queer Opacity in Andy Warhol’s Thirteen Most Wanted Men (1964) and Lecture Tour (1967),” Art in Public Life & the Public Life of Art Symposium, Yale University, April 1, 2017.
“Mobile Pedagogy Units: Video Tutorials, Lecture-Performances, and Hito Steyerl’s ‘Didactic Educational .MOV’ Files.” SCMS Annual Conference, March 25, 2017.
“Documenting and Archiving Performance: A Panel Discussion.” Brooklyn Academy of Music/Wendy’s Subway Reading Room, December 3, 2016.
“Staging Mobile Pedagogy: Video Tutorials, Lecture-Performances, and Hito Steyerl’s ‘Didactic Educational .MOV’ Files.” Ordinary Media Series. Northwestern University, October 5, 2016.
“Lecture-Performances and Para-Institutional Pedagogies,” for “Podium Works,” instructor Josh Rios, School of the Art Institute of Chicago, September 23, 2016.
Presenter. Counter Cinema | Counter Media Series. University of Chicago, February 19, 2016.
“Joseph Beuys: Untitled (Blackboard).” Spotlight Conversation Series. Philadelphia Museum of Art, April 2-4, 2015.
Moderator, “Author Meets Critics: Gabriel Rockhill’s Radical History and the Politics of Art,” American Society for Aesthetics Conference, March 21, 2015.
“Post-Digital Poetics,” with Danny Snelson, Bruce High Quality Foundation University, October 19, 2014.
“Joseph Beuys: Earth Telephone.” Spotlight Conversation Series. Philadelphia Museum of Art, October 16-18, 2014.
“Kara Walker’s Ruffneck Constructivists.” Coffee and Conversation Series. Institute of Contemporary Art, Philadelphia, April 13, 2014.
“Jason Rhoades: American Artist.” Coffee and Conversation Series. Institute of Contemporary Art, Philadelphia, October 6, 2013.
“Gilded Rot Recut,” with Danny Snelson, in the Snippets, Splinters, Shreds, Shards: The Fragment in Russian Culture conference, organized by Slavics without Borders. University of Pennsylvania, March 22, 2013.
Speaker, Panel Discussion on Tableau Vivant of the Delirium Constructions. Dumbo Arts Festival, September 25, 2010.
“Semiospectacle: Staging the Aesthetics of Discourse.” Anxieties of Overexposure: Second Annual National Graduate Student Conference in Performance Studies. UCLA, April 30, 2010.
“Neo-cabaret and the Performative Subject,” Radical Intersections: Conference on Performance Across Disciplines. Northwestern University, April 25, 2009.
“Spectacularizing Scholarship,” The Praxis of Feminist Pedagogy Conference. CUNY Graduate Center, November 6, 2009.
“Ambiguity Forum,” Renaissance Society, Chicago, January 14, 2017.
“Addenda to the Dictionary of the Possible.” Regards Gallery, November 5, 2016.
“Radios/Radio Armenia,” with Danny Snelson, in conjunction with the Step and Repeat Festival, Geffen Contemporary, Museum of Contemporary Art, Los Angeles, July 17, 2015.
“Radio Armenia,” Random Name Poetry Series, May 31, 2015.
“Report on a Day’s Proceedings No. 2,” with Research Service, Interrupt 3 Conference, Brown University, March 14, 2015.
“If Your Phone Doesn’t Ring, It’s Me,” with Research Service and Lanny Jordan Jackson, in conjunction with the exhibition Itself Not So, Lisa Cooley Gallery, August 28, 2014.
“No Results Found,” with Research Service, in conjunction with the exhibition Eternal Flame, organized by Thomas Hirschhorn. Palais de Tokyo, Paris, May 23, 2014.
“Toward a Theory of the Grand Duchess,” in conjunction with the exhibition 89plus: Poetry Will Be Made by All!. LUMA Foundation, Zurich, January 30, 2014.
“The Lives of Things,” with Research Service, in conjunction with the launch of Shifter 21: Other Spaces. Moore College of Art & Design, PA, November 20, 2013.
“Inventory,” in conjunction with Some Transliterations, Little Berlin Exhibition Space, Philadelphia, September 21, 2013.
“Gilded Rot Recut,” with Danny Snelson, in conjunction with the Second Saturdays Series. AUX Performance Space, Vox Populi Gallery, June 8, 2013.
“Zero for Conduit,” with Research Service, in conjunction with Drafts: Phase III: Information Transmission. Drawing Center, New York, May 10, 2013.
“The Lady Vanishes,” Segue Reading Series. Zinc Bar, April, 27, 2013.
“Report on a Day’s Proceedings at the Initiative for Directed Coopetition,” with Research Service, Intimate Collaborations Conference, organized by Kaja Silverman. University of Pennsylvania, Philadelphia, January 18, 2013.
“Everyone’s A Critic,” with Jeremy Barker & Andy Horwitz, commissioned by On the Boards Festival. Prelude Festival, CUNY Graduate Center, October 4, 2012.
“Please Note the Following Changes,” Principal Hand Series, L’Etage, September 27, 2012.
“Phonon-lexical,” with Jeremy JF Thompson, in conjunction with Noise! 2010, curated by Tianna Kennedy, Danny Snelson, and Caspar Stracke. Ontological-Hysteric Theater, June 26, 2010.
EVENTS & CURATED EXHIBITIONS
Co-curator, “Vulnerable Systems: A Screening of Video Works,” co-curated with Jeanne Dreskin and Roksana Filipowska. In conjunction with Biocode: Performing Transgression After New Media. Institute of Contemporary Art, Philadelphia, April 10, 2015.
Curator, At Your Leisure, RISD MFA Summer Painting Exhibition, 111 Front Street Gallery, Brooklyn, August 1-28, 2013.
Co-curator, Semiospectacle No. 2, co-curated with Danny Snelson. IRT Theater, November 20, 2011.
Dramaturg, Prelude Festival 10. CUNY Graduate Center, New York, September 29-October 1, 2010.
Curator, Semiospectacle, Performance Space 122, March 22, 2010.
Co-curator, Guy Maddin: Digital Film Stills, co-curated with Michael Rababy, The Arsenal, Los Angeles, June 1, 2005.
AWARDS & HONORS
Dean’s Grant for New Media and Research, University of Pennsylvania, 2015.
Dean’s Award for Distinguished Teaching by Graduate Students, University of Pennsylvania, 2015.
GAPSA-Provost Fellowship for Interdisciplinary Innovation, with Avi Alpert and Danny Snelson, University of Pennsylvania, 2013.
Research Grant, UC Berkeley Center for Race and Gender, 2005.
SELECTED MEDIA COVERAGE & BIBLIOGRAPHY
“Present Tense Pamphlets Look to the History and Future of Score-Based Performance.” Block Museum of Art Blog, August 31, 2016.
“Score-Based Work is Given Presence in Present Tense Pamphlets.” Harriet Blog, Poetry Foundation, August 24, 2016.
Art in America, “The Agenda: This Week in New York,” March 24, 2015.
Katie Waddell, Art F City, “This Week’s Must-see Art Events,” March 24, 2015.
Rachel Valinsky, “Itself Not So,” Avant, January 1, 2015.
Excursus I-IV. Excursus Series Catalog, ed. Alex Klein. Philadelphia: Institute of Contemporary Art and the University of Pennsylvania, 2014.
“Itself Not So,” The New Yorker, August 2014.
Thomas Micchelli, “A Fundamental Rupture: ‘Itself Not So’ at Lisa Cooley,” Hyperallergic, August 16, 2014.
Karen Rosenberg, “Lisa Cooley Displays Itself Not So,” New York Times, August 14, 2014.
First Among Equals Catalog. Eds. Alex Klein, Kate Kraczon, et al. Philadelphia: Institute of Contemporary Art and the University of Pennsylvania, 2013.
Jennifer Burris, “Guest Post: Q&Q,” Miranda Blog, Institute of Contemporary Art, July, 2, 2012.
Jeremy Barker, “Mashinka Firunts and Danny Snelson’s ‘Semiospectacle No. 2 at IRT Theater,” Culturebot.org, November 15, 2011.
Nicola Trethowan, The Cosmological Cosmetics Regimen: Metamorphosis and Monolingualism in the Text of Identity, University of Melbourne Undergraduate Thesis, 2010.
Jordan Hruska, “Society of the Semiospectacle,” Art in America, March 24, 2010.